"The Best Musical of the 20th Century"

-Time Magazine

 


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LA TIMES FEATURE STORY: Alexandra Silber rides 'Carousel' to renown

 Resistance is futile. The music of "Carousel," with its hypnotic score and soaring love songs ("If I Loved You," "You'll Never Walk Alone"), has survived telethons, high school graduations and Simon Cowell. Now this Rodgers and Hammerstein perennial is back in L.A. with a fresh take and a rising new star.

Opening tonight at UCLA's Freud Playhouse, the Reprise staging of "Carousel" marks the American theater debut of Alexandra Silber, a Los Angeles-born talent already celebrated in London for her West End performance as Julie Jordan, a young mill worker in late-19th-century New England who falls hard for Billy Bigelow, a carnival barker torn between love and grift.

Silber -- Al to her friends -- is the vivid heart of director Michael Michetti's production, which also stars Robert Patteri ("The Scarlet Pimpernel," "Beauty and the Beast") as Billy. Veteran actor M. Emmett Walsh ("Youth in Revolt," "Blood Simple") plays the Starkeeper, the show's redemptive mystical figure.

In keeping with Reprise's focus on story over elaborate scenery, Michetti has Walsh reading some of Hammerstein's stage directions, evoking Thornton Wilder. The director wants to convey both the intimacy of the love story and its larger context.

CRITICAL ACCLAIM FOR PAST PRODUCTIONS OF CAROUSEL

 

"Best Musical of the century!"
Time Magazine, 1999

"Beautiful, bountiful, beguiling...it is the product of taste, imagination and skill."
New York Daily Mirror, 1945

"Richard Rodgers' most beautiful score."
Ben Brantley, The New York Times, 2002

"As close to perfection as musical theater gets...At the end of CAROUSEL, the communal heft of this theatergoing experience will ensure that you won't be walking alone."
Boston Globe, 1996

"CAROUSEL will be 50 next year, but as of this morning, it is the freshest, most innovative musical on Broadway. It is also the most beautiful."
David Richards, The New York Times, 1994

"The audience is awash in the optimistic glow of Oscar Hammerstein's words and the glory of Richard Rodgers' music, beyond all reason. And CAROUSEL cements its estate in musical theatre heaven."
Alvin Klein, The New York Times, 1997

"It still makes an emotional impact and is as relevant today as ever."
Steve Cohen, Broad Street Review, 2007